Wanderlust West: Expanded cinema performance
triple 16mm and super 8 mm film projections and live music by Orquesta del Perdido
Jan 28. 2018
International Film festival Rotterdam
stills by Ernst van Deursen
Western Wild
Western Wild
Wednesday, May 16, 2018
the movement 'West'
'Western Wild...how I found wanderlust and met Old Shatterhand' is about my mythical space and the mythical space that Karl May created and his 'followers' followed as a way towards a resolution to the violence or oppression they experienced in their society. The story of the West is a shared historical terrain of ideas about heritage, geography and the artists place in all of this. The American West was an idea that Karl May formed in his imagination; that became a place through the production television shows,Spaghetti Westerns and American Westerns. I am a descendant of the Western edge of the European continent (Ireland and Scotland) and my early relatives in the 1600’s, moved to the hinterlands of North America. This movement became a main directional thrust or theme of the idea of America and came to represent the idea of freedom; the movement West. The film is about movement both as a topic and contains the concept of it within its structure. It reflects a free mind at play, it is an essay, a documentary and an animation.
Friday, January 19, 2018
USA and World/ Dutch Premier
World Premier
International Film Festival Rotterdam
In the program ‘Living Statues’ Bright Futures
Friday, January 26, 19:30- 21:30 Cinerama 5 , Rotterdam, NL
Saturday, January 27, 12:00-13:48 Kino 4, Rotterdam, NL
https://iffr.com/en/2018/films/western-wildor-how-i-found-wanderlust-and-met-old-shatterhand
Expanded Cinema Performance ‘The Wanderlust West’
part of Sound/ Vision program at IFFR
Sunday, January 28, 21:30-late, WORM, Rotterdam, NL
https://worm.org/production/iffr-soundvision-2018-sun/
North American Premier
‘
Western Wild…or how I found wanderlust and met Old Shatterhand‘
2017. USA. Directed by Martha Colburn. 9 min.
North
American premiere
Museum of Modern Art New York, NY USA
Sunday, February 18, 7:30 p.m. T2
in the program Doc Fortnight: 17th Annula MoMA International Festival of Nonfiction Film and Media
Opening for ‘A Ludodrama about Walter Benjamin’ Directed by Carlos Ferrand. 78 min.
screening discussion with Ferrand and Colburn
https://www.moma.org/calendar/events/4044?locale=en
International Film Festival Rotterdam
In the program ‘Living Statues’ Bright Futures
Friday, January 26, 19:30- 21:30 Cinerama 5 , Rotterdam, NL
Saturday, January 27, 12:00-13:48 Kino 4, Rotterdam, NL
https://iffr.com/en/2018/films/western-wildor-how-i-found-wanderlust-and-met-old-shatterhand
Expanded Cinema Performance ‘The Wanderlust West’
part of Sound/ Vision program at IFFR
Sunday, January 28, 21:30-late, WORM, Rotterdam, NL
https://worm.org/production/iffr-soundvision-2018-sun/
North American Premier
‘
Western Wild…or how I found wanderlust and met Old Shatterhand‘
2017. USA. Directed by Martha Colburn. 9 min.
North
American premiere
Museum of Modern Art New York, NY USA
Sunday, February 18, 7:30 p.m. T2
in the program Doc Fortnight: 17th Annula MoMA International Festival of Nonfiction Film and Media
Opening for ‘A Ludodrama about Walter Benjamin’ Directed by Carlos Ferrand. 78 min.
screening discussion with Ferrand and Colburn
https://www.moma.org/calendar/events/4044?locale=en
trailer to 'Western Wild...or how I found Wanderlust and met Old Shatterhand'
https://vimeo.com/247800463
trailer to 'Western Wild...or how I found Wanderlust and met Old Shatterhand'
trailer to 'Western Wild...or how I found Wanderlust and met Old Shatterhand'
Friday, December 1, 2017
Description of my film 'Western Wild...or how I found wanderlust and met Old Shatterhand'
'Western Wild...or how I found Wanderlust and met Old
Shatterhand' is a mixed genre documentary about the filmmaker making a film
about the famed German author Karl May. The animator (filmmaker) and author
share their will for 'Wanderlust' and an escape from their surroundings (the
animators home in Pennsylvania's the Appalachian Mountains and the author's
home in Kaiser Wilhem's German Empire). This film uses stop motion
animation, found footage, interviews and diary filmmaking to tell a story about
make believe worlds, crime, writing, animating and the will for an escape.
Wednesday, May 10, 2017
Friday, November 18, 2016
From a Personal History of Gun Violence : Western Wild
'Western Wild' is a film combining and exploring
the iconography of the American West and contemporary topics. It is inspired
partially by the author Karl May and my personal history. This controversial, eccentric and extraordinary German author wrote about the American Wild West,
the Middle East and South America from his native Germany, having never been
out of his small village. Escaping a childhood of poverty, a mid-life of criminal persecution and imprisonment and numerous mental issues, yet decorated
with a high intellect, he is most known for his
moralizing Westerns starring Winnetou and his alter-ego Old Shatterhand.
Former President Obama is quoted as saying“This is unique to our country. There is no other advanced nation on
earth that tolerates multiple shootings on a regular basis and considers it
normal and to some degree that's what's happened in this country”. In my year
of researching into Karl May - gun violence, riots, racial injustice, church
burnings and hate crimes have escalated almost to a daily occurrence. Living between Pennsylvania and the Netherlands; I- like
Karl May - author works on America from Overseas.
My personal history
with firearms and gun violence is deep and varied. I grew up near one of the
bloodiest battles of America- Gettysburg. Lasting three days in 1863, there
were 51,000 casualties. Ending less than a decade before this was the longest
and largest historical genocide lasting from 1500-1800 of 150 million American
Indians.
As a child I remember
be woken up by the sound of a revolver as my father shot birds eating his
garden from the bedroom window. I helped load the shotgun gun shells that
killed every thing that moved; our dinner plates would be lined with the lead
buck shot balls that we’d managed not to swallow. We made our own flintlock
rifle from scratch and had the equivalent of an artillery cache in our living
room. In elementary school the kid brought a pistol to school in a paper lunch
bag that was luckily apprehended. Our
neighbors up the hill ran a gun shop and the owners son was in school with me
until the age of 14 when he threw his shotgun into his truck, causing it to
fire one cartridge into his torso: killing him instantly. Two brothers played
Russian roulette and one brother shot the other through the head in our fields
where we could be found playing on weekends.
My membership in the Fish and Game Club lead to my first
commercial art commission of drawing a huge life size Elk target for a shooting
contest. Two women were shot and one killed by a ‘mountain man’ who as an
abandoned child, grew up in the woods and lived in a hole in the ground off the
Appalachian Trail. For college I moved to Baltimore, which had an average of
300 murders per year. An artist in school with us was shot in the back as a
gang initiation across the street from my loft. Everyday I could follow trails
of blood around the city from the crimes which took place the prior night. My
life was almost taken once at close range, but I evaded this by asking for the
masked man to either do it now, but don't make me late for my cabaret job.
In Western Wild we witness is a phantasm of the movie
screen, which open up into chambers of forgotten histories, restless fragmented
dreams, lost honor and blind hope.
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